cinema Movie Notes Parking Lot Notes

Parking Lot Notes: N.T.R: Kathanayakudu

An enduring aspect of Indian mass movies owes a lot to NTR, the aspect where everyone sees their hero as a divine being.

Sample this: Asia Week’s posthumous story on MGR was titled pretty much the same, a song from Kuselan harps about how cinema was the first to ‘show’ God on screen, it persists even today in the eyes of the people of Mahismati when they see Mahendra Baahubali. (also see Maya Bazar climax)

While the others in the list crafted an image playing heroic characters, NTR played the Gods themselves.

NTR is still my favorite on-screen Krishna (sorry Nitish Bharadwaj), I can exactly pinpoint when the movie Karnan (sorry Sivaji fans)  turns into the fun epic that it is, the moment NTR literally walks into the screen as Krishna (a similar scene is recreated in this movie) and of course Maya Bazar; arguably the greatest Indian film ever made (sorry Sholay fans and also looool sholay).

Sadly, NTR’s movies are not the focus points in this biopic.

The movies are just occurrences which pinpoint how great NTR the person was. Most of the dialogue is either a prophecy (which we now recognize as true) or a set-up for the sequel Mahanayakudu, which promises to trace the political life of the screen icon.

Knowing myself, I have already lost interest in the sequel. I am more interested in the man who played God and want to know more about the mythological movies, like how Daana Veera Soora Karna was shot in 43 days.

Balakrishna eases into the life of his father and the performance betters with surprising restraint  as the character ages. In-a-only-in-the-cinema-of-India-kind there is a meta moment when baby Balakrishna is born to the real Balakrishna who is playing his father and ends up naming himself!

Vidya Balan makes her Telugu debut, in a nothing much to write about already over played pillar of a support wife that most bio pics have.

While Balakrishna gets to play his father, Sumanth gets to play his grandfather Akkineni Nageswara Rao (ANR); in some portions it does feel like it is a story of these two actors lighting cigarettes, exchanging notes, reworking their careers, and collecting relief together. These are the portions that have stayed with me.

Now that you are here, why not see NTR and ANR in Lahiri Lahiri and wonder along with me, why no one is making a movie about how Maya Bazar was made!

Extra Notes

NTR and ANR featured themselves in a late career film called Chanakya Chandragupta, in which one actor called Sivaji Ganesan played Alexander the Great! I mean, yes!

Jai Mahismathi! I mean….Jai Pathalabhairavi!

cinema cinema: hindi




For generations movies have sidelined or to say side-billed the heroine, in a way it is a proud moment when Vidya Balan’s name appears boldly in a typewriter font preceding the title.

Vidya Balan lives up to her name playing the heavily pregnant and equally resolute Vidya Bagchi whose actions of lifting her oversized sunshades reminds us of a knight who does a similar act before entering the arena, the arena here in Kahaani is the life throbbing city of Kolkata to which the computer professional Vidya comes to find her lost husband Arnab Bagchi.

Kahaani is packed with details, packed is the right word to use because you might lose an interesting bit while searching for underlying popcorn in the dark. You have been forewarned that the brilliant writing will keep you glued to screen and the characters that inhabit those words. Parambratha Chatterjee and Nawazuddin Siddiqui require special mention amidst the robust cast who travel along with Vidya Bagchi on her quest until it all ends in a mythical climax.

But the final praise shall rest on director Sujoy Ghosh and his team of writers who have conceived a truly different film both in styling and content, in the time of inconsiderate romantic comedies.I counted upto six people involved in the writing of the film and the last time I saw so many names was in Shahrukh Khan’s much derided Ra.One, but this time the writers have won with some help from the divine feminine.

So what is wrong, if people can make stories for the Khans they should be able to make stories for the Balans, as long as the writing is good we will not complain.The writers have won. The writers have won!

Surely they should have listed Kolkata/Calcutta in the cast. Surely.



Director: Sujoy Ghosh

Cast: Vidya Balan, Parambratha Chatterjee, Nawazuddin Siddiqui, Saswata Chatterjee.