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cinema cinema:tamil FRS

FRS: JAGAME THANDHIRAM (2021)

So you all know what an FRS is right? Right?    

Disclaimer: We can only begin an FRS, we can never finish it convincingly.

And so we begin, with our invocation against gangsterism

Yes it is a genre of film but we don’t have to like it.

Yes it does seem cool, but all of us here at the FRS are in this endless process of ageing, which automatically means that we are against cool stuff like coloured jackets-wearing-beedi-smoking-at-the-same-time-smirking-gangsters.

Maybe you can sense there is some hate or you can also take the logical reasoning about how when you make gangsterism the main vehicle of your film you can give any reason to justify it, where lies all our problems with gangster movies. Yes it’s a genre and we (FRS writer’s room) don’t have to like it because supposed cinematic greats have an affinity towards it and even to risk earning the wrath of all film bros.

So yes gangsterism is against the law, whatever is the reason.

+101: No Narration. Good call.

<Trivia Thagaval Sponsored by Wikipedia>

The first half (divide as you will this is a direct OTT release) is very much a reworking of ‘A Fistful Of Dollars’ which itself is a remake of Yojimbo, which in turn Kurosawa said might have been inspired by the pulp novels of Dashiell Hammett.

#PulpisGood

</Trivia Thagaval Sponsored by Wikipedia>

It is the story of an outsider who comes to town where two warring gangs compete for control, the smart outsider plays one against each other, of course for personal benefit.

Here the town is London and the man with no name, actually is named Suruli.

-45: In trying to paint the character of Suruli colourfully, the director has forgotten even to sketch the rest of the characters.

Even the most paraded character of London gangster Peter, here played by James Cosmo, who unceremoniously gets added to the list of foreign powers who pose no challenge.

-34: Reinforcement max: movie, characters keep saying that Peter is a racist and white supremacist, while we already got it with his nameplate which reads “WHITE POWER” and random Ku Klux Klan outfit in his room.

His introduction too shows that how immigrants fear him, but somehow Peter is not able to face the problems posed by the gang headed by Sivadoss (Joju George)

-69: Obsession with intros: the first ten minutes of the film is just intros, some with ultra-text splashed on screen ala Tarantino- most movies take time to introduce their characters and that’s not a fault by itself. But in Jagame, with every powerful intro, the acceptability reduces proportionately.

For example, you show Peter as the most powerful gangster in town, but then in the rest of the movie he hardly does anything menacing.

We don’t know anything about his philosophy, every dialogue of his is just reinforcing that he is a xenophobe, which as pointed out, has been already established.

This begs the question, was this really the character that Karthik Subbaraj wanted Al Pacino to play?

+21.9: Reasons: While the idea to make a cross over gangster film needs to be appreciated, the reason to take Suruli from Madurai to London is one of the flimsiest even by Kollywood standards.

+30: Intelligentally Eli: Hero finds out everything including complex smuggling networks about rival gang within one week which other gangsters (who are in the same smuggling business) could not for years

Suruli can start an online course on competitive intelligence; we would surely pay for such things.

-5: But if hero could find out such things, he could have surely been able to find out why Sivadoss’ gang is smuggling gold etc.  

+78: Mahatma Gang Leader:  For a gang leader, Sivadoss is too trusting.

Boss, like your job description to not trust anyone.

-34: Movie proceeds as thus, till it becomes about immigrants and the Tamil Eelam issue.

While there is nothing wrong in trying to address larger issues in films, but maybe if they had been portrayed with more conviction or convincing actors would have helped the cause.

D is an accomplished actor, the transformation Suruli goes through in the film feels more like the character’s ego trip rather than real internal change, we really cannot say more without spoiling the film.

-450: A Host of Issues: If immigration issues are not enough, movies marries another going nowhere plot for speaking against private prisons, the need for identification and living a free life without borders.

Hmm yeah, maybe that’s why every minute of Jagame feels like two minutes.

+23: Cameron-Kanni Spotted: Movie at some point shows a burning merry-go-round which we feel is a reference to Terminator 2: Judgement Day and so we are giving positive points like these.

Yeah like random.

+91.5: Cut to the Combat: It almost feels that the director and crew only wanted to film the final blast everything in our way to the villain’s room shoot-out.

Don’t get us wrong, it’s really done well with slow motion and all that, but it almost seems that the rest of movie, the emotions of characters, are just a ruse(wink wink, nudge nudge)to get us to here.

Well atleast you enjoyed filming that.

Maybe the Thandiram in Jagame Thandiram is to get us to watch 2:40mins of uninspired filmmaking for the last few moments of inspired action, if that was the intention, then we have a winner.

<Winks winks, nudges nudges>

Subam

Team FRS

Categories
cinema cinema:tamil FRS

FRS: Bigil


So you all know what an FRS is right? Right? 

+2: Movie is without narration. Always a good sign (or so we thought). 

+5: Movie puts itself into porali category immediately as it begins with students protesting against change of the college building from a heritage building to a new building outside the city. (actually in Arakonam).

We feel the government is in the right here, since in-city colleges and their buses actually contribute a lot to city traffic. But of course it is not a Tamil movie, unless it opposes the government.

Even heritage buildings will breathe better without the trouble of students <umm…where are we going with this>

Heil Democracy and all that. 

-41: Predictably politician character is played as a mixture of being clueless and ruthless. Politico uncle orders a riot on protesting students, of course this is what is going to set-up the hero introduction sequence. 

+5: Hero has mastered the art of throwing bijli vedi in a manner that it explodes just before the thug’s face. Also this is a way to wish the audience “Happy Diwali Nanba”

-5: Hero hits at least 20 people within the first 20 % of the movie, means ki you can comfortably say that for the remaining 80 % of the movie any such hitting will be surely tiring and you will not experience any exhilaration. 

-2: If hero is from gully, then surely he must be the most popular guy with all the thaaymaargal’s and kutties love and affection. We will never understand why this is so, apart from the fact that he is the hero.. 

-11: Since it is written in the Kollywood Shaastram, that the  best way to end a semi-comedic intro fight would be to convert into an intro song. We now have an opening song which is shot in all shades of red available. 

-24.5: Yogi Babu is in this movie, that means a “moonji” joke is always around the corner. We have to face it. <We mean…>

+6: It’s not a big hero tamil movie, if it does not have a chief minister reference; althought this seems to be a new virus; such a thing was never said in the Kollywood Shaahstram

-90: Kollywood continues to exploit gansgterism without even for once explaining the mechanics of it. 

-91: Kollywood heroes continue to exploit cooling glasses by wearing them for 90% of the movie, so we can never see them act. 

#ItsNotCoolToWearCoolersAlways

-12: When in hospital, supporting characters will regain consciousness only to reveal entire back story of character. 

-30.8: Surprise! Father of gangster hero is also gangster, but with white hair and all. That’s about it. All pazhaya scenes only. 

+30.8: But he is well meaning gangster, because of course he is played by hero only. 

<Pause for reflection> 

Rayappan believes that his son becoming a national football player will encourage more people to move out of their gully by taking up football. 

While this is an inspiring thought, since there is always only a limited number of people who can be part of a national football side, the idea itself might not scale. 

There is a possibility that those who don’t make it to the national side either return to their rowdy roots or become sports followers on twitter who tweet GOALLLLL while following matches. 

Neither will help the overall ecosystem. 

Rayappan should have thought better. Won’t scale. 

</Pause for reflection> 

-05: No girl in the football team had the slightest doubt that Michael indeed looked like ex Tamilnadu captain Bigil. Because….hmm…

+11: Nayanthara is playing an empowered heroine in a movie about woman empowerment

-11: Empowered heroine does not tell father that she is not interested in marriage right now, this would have cut some 20 minutes of attempts at a comical church wedding. 

-3: Convenient team physiotherapist is extremely convenient (for hero)

-24: When movie transforms into sports movie, so all sports officials transform into villains and hero can become coach. 

+33: For a few minutes we actually thought this would be a women’s empowerment film, points for those minutes.

When issues are watered down so that the hero can take a stand on it, then ultimately the issue only suffers. 

Here in Bigil, while women empowerment is treated with allowable care; director offers no apology for violence and rowdyism.There are at least 300 people being thrown here and there by the hero. 

That rowdyism itself is a threat to women’s safety never occurred to the director. 

Hmm of course, hero is rowdy because rowdy is cool/wants to be etc. 

-33: For a full second half which is supposed to be about the girls, barely their names registered and most don’t have any role or character. 

+6: Director firmly believes that scoring goals is the only aspect of football he will concentrate on. 

-78: Movie relies heavily on stereotypes, but also does some baavla in the name of dismantling them. 

-101: Movie is not over yet. 2 more football matches to go. 

+3: One police station sequence which seems was directed by ARM during Darbar break. 

-5: Director sneaks in outtakes from Adidas ads for SIngapennay song, we hope people found it inspiring, or atleast to do some Diwali sports shoe shopping

<Use code BIGIL50, wherever you want, you never know> 

+5: Everyone in football team is wearing Bigil jersey, but we expected them to turn to camera and say “I am Bigil” like “I am spartacus” , no such luck.

-41.8: A team in full form will suddenly play like they have never played together before in THE FINALS of the tournament, just so our hero can go to locker room and motivate them. 

+11: Hero fulfills everyone’s wishes, including the wishes of his dead father and his father and their friends and their uncles and their gullies and the whole world. 

+32: Hero gets credit for everything by NOT getting credit for everything, wow well played. 

Hmm but..

Haters can hate, because Peace is the answer. Everyone becomes good. Society is happy. World is happy. Sleep well. 

All numbers are incidental and arbitrary, except the facts provided by our data analytics team

Happy Deepavali Nanba.

Subam

Team FRS

Categories
cinema Verse

Aaranya Kaandam

Into the review-verse

Sishya Uvacha

Tell me about this movie, o learned one

I am eager to hear your views

Lost, I am in this deluge of reviews

Which parts should I savour? Which to shun?

Acharya Uvacha

As the sick are keenly watched by the vulture

Here you are interested in mindless pop culture

With the hope that your fleeting interest soonly dies

I’ll tell you the movie’s lows and highs


Under the premise of portraying reality

This one too keeps out all morality

While all gangsters are cool

If you are innocent, you are a fool


This convoluted story about smuggled dope

Am sorry to say, offers very little hope

Without morality, the characters go off-route

An overdose of grey, whom should I even root?


Oh Sishya, savour the cinematography of PS Vinod

To which much of this success is surely owed

But mostly movie wants to be a la mode

So after a point, even the twists look elbowed


Trust not the views of others, not even mine

God offers a balance, in the sea of time

Fear not as what is now garlanded, will be neglected

And what is now neglected, will surely be garlanded