Kamal Haasan (KH) announced that he would retire from films from barring Vishwaroopam 2 and Indian 2, not surprising at all. The fact to be noted is that both are extensions of his previous works and sadly not something new.
‘Something new’ would be the murmur of those who walked out of a Kamal film, even for the truest of fans, the films would be things that couldn’t be described at a moment’s notice.
Notice that KH has been very cautious about his late career, not wanting to be another curd rice eating lion (his phrase for the later phase of Nadigar Thilagam) but somewhere along the line he too had realized that it was time.
Time is of the essence, something that resonates in Kamal’s cinematic swan song “Uttama Villain” in which an ageing superstar has to balance between his final act to right his wrongs and his final act (in a movie) with his mentor. For me the last Kamal consummate performance.
Performance that has no end is of little interest, one song from the film claims. Yes we have finally reached the point in the universe that there would be no more waiting for a Kamal film. Waiting and patience, the two characteristics that binds even unlike Kamal fans of which there are many.
Many careers come to an end, but few leave a lasting impact; while in fields which are driven by statistics (hi sports), achievements which will always be broken. Performance artists on the other hand achieve near immortality thanks to their craft and can comfortably disregard numbers.
Numbers too are surprisingly in Kamal’s favour; in a career spanning almost sixty years he has played from camp to class and what lies between. Take 1982 for instance which gave the Tamil movie going public both Sakalakalavallavan and Moondram Pirai. This is not a singular occurrence Sagara Sangamam came with Sattam, Nayagan came with AVM’s Paer Sollum Pillai, Virumandi and Vasoolist etc etc etc and it is hard to imagine any other actor who can withstand this stretch consistently and still look natural.
Naturally, his multifaceted nature attracted different kind of fans. His long career has ensured that there was a constant churn in admiration, old fans becoming disillusioned allowing new ones to take their place. An example would be a generation that still believes that KH was the coolest in the 80s, while another set claim he peaked in the 90s, some say he should just direct and not act, others don’t want him behind a megaphone, some want him to even work with youth directors (LOL). Personally, it is KH’s ability to be all this and more that makes me revisit his films.
Films (of his) are all that we will have of him in the future (not discounting the interviews), and it is surely exciting to revisit them not just as a fan, but as an explorer of the medium. Especially now, when there very little to expect. You have given me a lot to work with and all the best for your future endeavors, Kamal.