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cinema:tamil FRS

FRS: Anbarivu (2022)

So you all know what an FRS is right? Right?

We would like to start by wishing all our readers a very Happy New Year, let’s just hope there are less movies with narration this year.

-10: Narration, there goes our new year wish, all the best to us. This is not a complex story, as in, this is just another village vs village story and there are at least 3000 ways to tell this without having to have narration.

Since we are blog that does not just raise questions but also provides solutions: makers can actually name the movies with the same premise so that audience can directly connect

-5: Narration by Vidarth, who is kind of like the principal antagonist, beginning with his narration almost feels right as the movie progresses, but then this narration comes to nothing and his narration is also not followed through.

I wish to start a new business by sending a daily whatsapp/text reminders to directors and writers on set, it would just read the following.

Daily Reminder: People are not dumb.

That seems like a good segue to our next point

-50: Twins

If you thought that the village vs village was a done to death in Tamil cinema then you are in store for another repetitive story jumping off point- separated twins.

It doesn’t bother us that Anbarivu picks up familiar themes, it only bothers us that the director is brazen with the- “yeah yeah, we know you have seen these movies before, but did it have Hip Hop in them?”

Yes Hip Hop is the differentiating factor in the film, but not always differentiating factors are good. And this time he comes in twos.

-300: Napoleon plays a quote-unquote majestic village headman, where people ‘respect’ him for what he is, his weekend hobby is to fight in riots with neighboring village folk.

There is undeniably a cast angle here and an intent to show that caste violence is a sickening thing and slip in a message about equality, but how does the director think that a two hour 45 min film which glorifies such violence for two hours and 20 mins expect us to believe that such a transformation can happen in the last 25 mins?

Hehe, it can, possibly with powerful filmmaking. Run time is not an indicator of impact, but here it seems almost like a casual turn the movie takes towards the end.

Also the Napoleon character is applauded in the end, because he ‘accepts’ that he was wrong etc. Boss he must also be in Jail, so must the Anbu character.

-120: Generic Maduraikarans: funny like one specific thing becomes relatively mainstream it completely loses its specificity, ever since Maduraikaranisms were taken up as major characters in tamil films, they have ever since been reduced to stereotypes who spout words like Sambavam, Rathabhoomi etc

Tiring.

-60: Ragging in Canada university

-23: Hero’s dad becomes president of IDFC or something in Canada and this is celebrated by Canadians on TVs and billboards etc

-101: Hero gets slow motion entry because is hero and most of the village cheer him because he is hero, do educate us city types, do villages like these exist?

Also village celebrates hero’s birthday with Jallikattu, of course there was going to be Jallikattu in this movie

+45: Murattu Kaalai Ex Machina

If you know, you know

-25: Heroine thinks that all foreigners are in open relationships, hero thinks that all village love is true and pyoor etc, so he must marry a pucca tamil girl etc

+56: Irritation as a plot propulsion device

Somewhere I feel that the director is very perceptive, he understands that the material at hand can bring about much irritation to the audience, so much so that he incorporates this as a theme

Arivu irritates his thatha in the village

Anbu irritates his appa in Canada

So yeah, that’s about it.

-20.9: Delayed Thaai Paasam Gratification + with Amma song

-59: Movie is confused max, it believes that it needs to be a commercial film and hence needs to add commercial elements but also realized that these commercial elements are also regressive, so movie cannot make up it’s mind, so it makes one of the twins a woke reformer (something of the sort)

+30: But I would also like to come clean, that on a Saturday with an impending lockdown, the second half of this movie was quite calming even though the first half (my division not the movie’s) was quite aggravating.

The second half gives chance for all the characters that were introduced to come together and in their own ways complete their respective arc. It’s not the most organic of stories but somehow seemed “well-set”, Anbarivu also benefits from a good supporting cast who can sell this story and make up for whatever is lost by the casting of the leads.

And in this Vidarth really was interesting.

-87: It’s not a village movie unless there is a foreign corporate power trying to take over the lands of the people

Etc

Yeah I know.

Subam

Team FRS

Anbarivu is now streaming on Disney+Hotstar

Categories
cinema cinema:tamil

Sulthan (2021)

As the swivel chair spins #16

So someone in Kodambakkam finally took director Myskkin’s advice to heart and sought inspiration from Akira Kurosawa’s Seven Samurai. 

Just think of Sulthan as Seven Samurai written by Baahubali writer Vijayendra Prasad, which would mean that it would increase in scale (seven samurais become eighty loveable thugs) and that the focal point of the film will always rest on the hero (in spite of the eighty loveable thugs) . 

The set-up is also a fertile ground for Kollywood  to preach to the world about agriculture (pardon our pun). 

It’s the kind of movie you know will begin with the mythical birth of the hero (here in between a fight between two rival gangs) and how his arrival is supposed to change everything. 

It’s the kind of movie that makes you see the frame over which it operates, in a way it feels like the movie itself is smirking at you, this is what you asked right? 

Kollywood continues to, in my opinion, errantly glorify thugs, rowdies and gangsters and presents them as an alternate justice system, while I am not making a social comment on the presence or absence of such a system, I merely want to point out that this is a residual Godfather effect. Like since Hero belongs to a certain gang, it is seen as an affable gang of alternative justice seekers but not as violent killers, this by itself is not wrong; but the enemy (who shares the same characteristics) is the enemy just because the hero is not born into them. 

To give credit where it is due, Sulthan does go into the effects of living a violent lawless life and actually presents a way of life (agriculture) for the waywards. 

 The initial humor and general likeability of the Hero’s gang is established by the fact that they bring him up (teach him fighting and take him to school type of thing) but yet he grows up to become a Robotics engineer but his foster dads (?) continue to be knife wielding thugs for his real father. The montage of him growing up with the gang is interspersed with the gang doing unspeakable things including murder, but all this played with a joyful BGM, so that we recognize that these are the good guys. 

Or relatively, good guys. 

Loyalty too, as is often the case, an underlying pressure point, the fact that the 80+ rowdies listen and play-act in the presence of Sulthan because they pledged their allegiance to his father is even more backward than the dismal affairs of the village that this group wants to set right. The person who wants to break away from this loyalty prison is portrayed as a secondary villain. 

There are things that Sulthan does well, it too takes the video game format (done so well in KGF) and makes into the movie, each villain is a level, unfortunately there are only two levels in Sulthan. There is also an insistence that efforts take time to achieve (like agriculture) rather than resorting to the often followed immediate success template. 

But after a point it does not matter, if you do not really connect with ‘the gang’ or see through the frame, as I did. Movie creates and defeats the purpose of pitting one person against the other when I don’t know who to really root for. 

The director expects me to root for ‘this gang’ because Hero is part of it, but then I have seen a lot of movies and like how Velan says in Singaravelan, I have seen a lot of the same type of movies. 

Sulthan is now streaming on Disney+Hotstar