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TV

Mondays with Mason: Chapter Seven

Uncharacteristic for this series, episode six begins with a camera crawling on a field after a girl. The episodes as you may remember just begins mid-scene or mid movement with the words Perry Mason in the largest of art-deco fonts that could occupy our screens.  Much like below

But here is the camera slowly following a little girl admiring nature’s beauty, it’s Sister Alice, no, it’s just Alice before she became the ‘instrument of God’. The only other time this series went back in time was to show the impact the Great War had on Perry Mason. 

Sister Alice is an odd character in the Charlie Dodson case, her story thread strain runs parallel to the case but they never seem to meet, but it’s not too far away. Our now dead George Bannon and Emily Dodson first fell in love in Sister Alice’s Radiant Assembly of God. The establishment itself was funded by Herman Baggerly, who was Charlie Dodson’s grandfather as we got to know, but the biggest trick that the series played is in the character of Alice. The trick was to focus on the grand standing assurances made by the sister and to make us question her power and circle around the drama between Alice and her mother. 

All that is broken in the pre credits sequence. 

A lot of other assurances are broken too in this episode as we approach the end of the mystery, like for instance the friendship between Perry and Pete; both have been on the street detectives from the start but I guess it’s the end of their working relationship. After Perry became a lawyer (he is more confident in his appearance in court), they are no more on equal footing and yeah Pete does “fuck it up” at the most inopportune moment. 

Perry not only loses a working friendship but also his family property which is a terrible blow considering that’s all his motivation when he was in the dumps. In these thick of things though, he fears losing the case more than losing the property. 

There’s a nice running gag about Perry Mason’s suit which attained peak when a lady threw collected garbage as he walked in to court, did we mention that he actually does feel and talk like a lawyer now? Yeah we did, but we also want to point out that Perry is also always on the side of data and points and not emotion and narrative, that’s an admirable thing especially when Della asks him to go easy on the numbers. 

The numbers do make sense, acting on a clue from the last second of the previous episode Perry builds a competent case, almost a winner if not for the misfortune mentioned earlier. What also makes sense are the answers to three of the four questions we raised, and the fourth? Well that’s reserved for the final showdown. 

Just another week. We wait, much like those outside court dangling effigies of baby Dodson, but not with terror but with bated breath. 

The episode ends as it begins, with Sister Alice. 

HBO’s Perry Mason is now streaming on Disney+Hotstar and has been renewed for a second season.

Categories
cinema:tamil

Ponmagal Vandhal

As The Swivel Chair Spins #9

It’s the sort of film that could prove to be a downer. It’s not something that is a pleasant Friday evening watch, heck it is not even a Tuesday afternoon watch.

Psst... more about Tuesday afternoon watch phenomenon later, maybe on brighter days. Days when I don’t have to think and write about films like Ponmagal Vandhal.

I know it’s me, not the film. I know the problem lies at my core and nothing with the film; I just switch off when I realize that item sold is empathy.

It’s a word thrown around so easily, this empathy that everyone speaks of, this act of truly being in the shoes of others to know what they ‘feel’. Smart people will realize that this empathy concept is only used in relation to pain and not happiness.

And so they say, I can only know someone’s pain if I empathize with them. But I do need to know myself first, to try and understand what the other person is feeling. If that is even remotely possible.

Empathy is media’s potent tool, but unlike using it like a Brahmastra, it is used like your regular everyday astra. Thousands of words are written about how the goal of everything that I did for fun, namely watch movies and read books, was to inculcate this latent empathy.

<Sighs>

I can identify with someone, I can aspire to be someone, I can be tolerant of some actions and I can even be considerate but is it even possible to grasp in its entirety at what goes on in another person’s mind?

There are levels of trying to understand other people, but all those gradations are lost when someone throws the empathy argument to counterbalance a logical point.

Often the case is such that empathy is the last resort of those without an argument. And the word “empathy” has been so fortified, that few raise voice against its easy use.

Ponmagal Vandhal doesn’t do much differently, it again places empathy as evidence in a court of law and it talks a lot about justice too. So that’s where I lost the film. It’s also a social message film and not very intelligent in conveying it.

Ooty lawyer Venba (Jyothika) has just reopened a 15 year old multiple homicide case, she raises doubt that there were things that were brushed under the carpet in the initial investigation.

Clues that were smudged by the act of power.

Power here is embodied by Varatharajan (Thyagarajan), naturally as this is a Tamil film, he is an industrialist and Venba plays the everywoman who still believes that real justice still exists in this world, the David to Varatharajan’s Goliath.

The problem here is that David seems to be unprepared for a case that she had been brought up literally her whole life to argue. Her questions are shot down and her witnesses vanish, while I sit and wait for a clever move from either side, all I am presented with is empathy.

Courtroom drama is an exciting genre, a battle of wits, half of which in this film is brought by Rajarathinam (R Parthiban) while the other half of wits goes missing even with a galaxy of supporting actors (Bhagyaraj, Pandiayarajan & Pratap Pothan) whose brief seemed to be “just show up in court”.

Maybe I should have waited and not jumped onto streaming it immediately but kudos to the producers for taking the over the top route to releasing a film. Bold move, really.

Like charity, empathy begins at home, ok that didn’t explain what I wanted to say.

I meant like the first step in to being considerate (empathy is still far away and comes with its own problems) to others is to know oneself better.

Clearly I didn’t know what I wanted on a tiring Friday evening. I should work on this more by watching Hellzapoppin’.

Hellzapoppin’ now that’s a Tuesday afternoon movie and a Friday evening movie.

Ponmagal Vandhal is now streaming on Amazon Prime