Categories
TV

Rasbhari (2020)

As The Swivel Chair Spins #10

Yes, blame it on the virus. 

We should have gotten the warning when there was narration from the protagonist, but we went along. 

Amazon Prime’s latest series is a Meerut-set tale of teenage troubles and libidinous louts, it is one thing to generalize based on stereotypes, but it is completely another thing to reduce the entire city of Meerut into this this village of villains who are waiting for any woman (other than their wives) to appear. 

We start with the city because the narration too begins with the city, Meerut, just like every other small town in India, the voice says, now the scope of generalisation has been extended from one small town to all small towns in India. 

Ok, playing along, let’s just say we bought this narrative. Umm let’s say it’s a bit like magical realism where the entire town goes blind(!), or let’s just say it is like all the old men from the village who come to look at the teacher in Mundhanai Mudichu. 

There’s a teacher here too, an English teacher, played by Swara Bhaskar. Teachers in Indian film join the list of maligned professions owing to the inability of our makers to put pen or pencil to paper and think about writing actual characters. Teachers are either the strict and morally upright ones who teach students a thing or two or it is the generously minded and controversially dressed lady teachers who too teach students a thing or two (umm).

Swara Bhasker plays the second type, her appearance in the class creates a flutter among high school kids and her appearance in town, as discussed above, makes the men of Meerut into wolves with tongues wagging. While all this is played for comedy, we couldn’t sit and not wonder, what item of interest would follow in the rest of the seven episodes. 

Let’s try and keep it short, just because a web series is eight episodes long doesn’t mean our write-up should be too, in the remainder of the seven episodes what was truly lacking is the contrast. Not in terms of colors in the cinematography but in the colors of the characters. 

Humor and its popular uncontrollable cousin, comedy, comes from opposites, like to use an often seen example of a really large man being afraid; so if two sides to the same character do not contain these extremes then there is very little to play around with.

While the central character of Shanu Ma’am, if we could use the phrase,leaves a lot to be desired, then the series kinda makes up with the surrounding characters of Nand, Priyanka and we wanted more about them. While none of them get any close to arc, how Nand (Ayushman Saxena) and Priyanka (Rashmi Agdekar) move from awkwardness to mutual respect is one of the best transitions we have seen in sometime. The actors too are comfortable and maybe waiting for the story to turn their way. 

But alas Rasbhari, wants us to be interested in english teacher Shanu Ma’am and her sex obessed alter ego courtesan. Which is where it gets really confusing- the point where the teacher student fantasy ends and the social commentary begins. Maybe we should just applaud the makers intention to “excite” as well as “educate” us. The fantasy too doesn’t go the whole way for it to be classified as bold, but is definitely pictured in a way to be called as vague. 

If it is this type of fantasy that you are looking for over the weekend, maybe Amazon Prime Video is not the right site. 

Nevermind. 

Rasbhari in its entirety is streaming on Amazon Prime Video

Categories
cinema:tamil

Ponmagal Vandhal

As The Swivel Chair Spins #9

It’s the sort of film that could prove to be a downer. It’s not something that is a pleasant Friday evening watch, heck it is not even a Tuesday afternoon watch.

Psst... more about Tuesday afternoon watch phenomenon later, maybe on brighter days. Days when I don’t have to think and write about films like Ponmagal Vandhal.

I know it’s me, not the film. I know the problem lies at my core and nothing with the film; I just switch off when I realize that item sold is empathy.

It’s a word thrown around so easily, this empathy that everyone speaks of, this act of truly being in the shoes of others to know what they ‘feel’. Smart people will realize that this empathy concept is only used in relation to pain and not happiness.

And so they say, I can only know someone’s pain if I empathize with them. But I do need to know myself first, to try and understand what the other person is feeling. If that is even remotely possible.

Empathy is media’s potent tool, but unlike using it like a Brahmastra, it is used like your regular everyday astra. Thousands of words are written about how the goal of everything that I did for fun, namely watch movies and read books, was to inculcate this latent empathy.

<Sighs>

I can identify with someone, I can aspire to be someone, I can be tolerant of some actions and I can even be considerate but is it even possible to grasp in its entirety at what goes on in another person’s mind?

There are levels of trying to understand other people, but all those gradations are lost when someone throws the empathy argument to counterbalance a logical point.

Often the case is such that empathy is the last resort of those without an argument. And the word “empathy” has been so fortified, that few raise voice against its easy use.

Ponmagal Vandhal doesn’t do much differently, it again places empathy as evidence in a court of law and it talks a lot about justice too. So that’s where I lost the film. It’s also a social message film and not very intelligent in conveying it.

Ooty lawyer Venba (Jyothika) has just reopened a 15 year old multiple homicide case, she raises doubt that there were things that were brushed under the carpet in the initial investigation.

Clues that were smudged by the act of power.

Power here is embodied by Varatharajan (Thyagarajan), naturally as this is a Tamil film, he is an industrialist and Venba plays the everywoman who still believes that real justice still exists in this world, the David to Varatharajan’s Goliath.

The problem here is that David seems to be unprepared for a case that she had been brought up literally her whole life to argue. Her questions are shot down and her witnesses vanish, while I sit and wait for a clever move from either side, all I am presented with is empathy.

Courtroom drama is an exciting genre, a battle of wits, half of which in this film is brought by Rajarathinam (R Parthiban) while the other half of wits goes missing even with a galaxy of supporting actors (Bhagyaraj, Pandiayarajan & Pratap Pothan) whose brief seemed to be “just show up in court”.

Maybe I should have waited and not jumped onto streaming it immediately but kudos to the producers for taking the over the top route to releasing a film. Bold move, really.

Like charity, empathy begins at home, ok that didn’t explain what I wanted to say.

I meant like the first step in to being considerate (empathy is still far away and comes with its own problems) to others is to know oneself better.

Clearly I didn’t know what I wanted on a tiring Friday evening. I should work on this more by watching Hellzapoppin’.

Hellzapoppin’ now that’s a Tuesday afternoon movie and a Friday evening movie.

Ponmagal Vandhal is now streaming on Amazon Prime

Categories
cinema FRS

FRS: Bharat Ane Nenu

BAN7 copy

So you all know what an FRS is right? right?

-780.9: To us (Team FRS)

We are now doing FRS of Telugu (telungu as we tend to use) films even when having not  one percent knowledge of the language/culture/societal dynamix/audience expectation. That we are doing this in a brazen daylight manner (actually it is night while we type this, but brazen daylight has a nice ring to it) should attract more point cuts.

But we are kind to ourselves.

Also now that we are talking about things that we have no idea about, do we qualify to be called critics?

<Forget the above, we are getting on with it, in quite bit; lil rusty>

[Pause for Cough]

we welcome you to yet another episode of the FRS

[/Pause for Cough]

{we really wanted to use flower brackets, just for representation}

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+5: No Narration, well we know that is a hard thing to find these days 

+12: Hero is very much educated, well we know that is a hard thing to find these days 

-34: Hero is educated abroad in fact he has five degrees,(includes Iberian languages and town planning) but director does not focus on plunging student debt and such realities

-67: Money shot of hero running towards the audience, but is actually running for his convocation thing.

Bharat’s Law  (not Bar-at-law)

 You are not a mainstream Indian hero if you are not late for your own convocation; but of course you reach just in time before your name is announced.

Convenience wins!

+103: When asked what he is going to do with life after being soooo educated, hero says “I don’t know” which proves our primordial hypothesis that education fundamentally is useless. (Yes, we know)

-69.52: This ‘I don’t know’ then morphs into an opening song sung by none other than Farhan Akhtar; name of song raises doubts about where this movie is going.

Actually movie is going to the next scene. (-1 to us, don’t be a wise ass, always)

Next scene: Hero’s father is dead. (yes just like that)

And now director will use the travel back home duration to tell us what we really want to know about Bharat’s father and mother.  Your childhood memories, selectively aided by British Airways.

+45: Whole movie is about the importance of a promise or in other words the importance of keeping up a promise, a lesson that Bharat learns early on from his mother. A promise that he makes as chief minister also leading to make the villains ‘accountable’. Good overall thread, connects to title too.

-1947: Bharat’s father(Supreme Star Sarath) is dead, now we know that he was chief minister of Andhra Pradesh; obviously his son Mahesh Babu becomes the next CM.

Just like how silk sarees are passed across from mother to daughter, the thing that is passed from father to son is just an entire state. 

#DemocracyDemolished but didn’t see any think-pieces about how this film encourages autocratic rule and transfer of power and dynasties etc.

-56.2: Old CM’s family friend and mentor is played by Prakash Raaj which means that all the people in the 31 districts of Telangana and 13 districts of Andhra Pradesh know that he is the villain.

#KuchBhi

<sorry for spoiling, LOL>

BAN3

-35.912: Hero now becomes CM means we will be shown 3 hrs of slow motion CM walking with his aides footage with DSP music.

Many economists think that the slowness of the motion has a correlation with the slowness of economic growth.

But like most economists, they are wrong. Because Bharat changes everything in 8 months. Sab Teekh Ho Jayega.

[Pause for Cough]

This makes me wonder, is the real villain of this movie is Prakash Raaj or is he being pup-petted by a collegium of economists, who will not have enough TV air time in a booming economy? 

[/Pause for Cough]

+50: Whenever Kiara Advani is on screen

+51: Whenever Kiara Advani is on screen and wearing yellow dress

#FocusList2018 #VassumathiRox

BAN2

Is the above rating sexist? Should we add something about Mahesh babu wearing sunglasses to balance it? Maybe we should

[Insightful Intermission-also potential Facebook caption material]

 

Mahesh Babu wears sun glasses for 79.7% of the film, we interpret this as a big middle finger to all critics who said they could not see any of his expressions on his face in previous films.

This time, he didn’t allow them to see his eyes only.

[/Insightful Intermission-also potential facebook caption material]

-17:  Kiara Advani’s father is a middle class police constable who will surely have the honour of mouthing the dialogue ” after all we are middle class, what can we do?” or some such shixx in a socio-political film

-219: CM”s new research team recruits will consist of (surprise!surprise!) heroine Vasumathi. Reason for selection stated: “they are preparing for civil service exams”

#MeritBasedRecruitment

+10: If you want to be a good CM, the first thing you should focus on is traffic, good advice.

+72: Relentless hero is relentless, Mahesh Babu also has a mass re-entry scene much like the one Indiana Jones has in Raiders of the Lost Ark; should probably add more points for that shot from Slocombe

Keeping Up With The Joneses Rule (or the ONE rule of film making)

Never steal but if you can’t avoid it, always steal from the very best

Raiders_ShadowBAN1

-34: Movie is cinematographed by two aces namely Tirru and Ravi K Chandran and pretty to look at but, for a man named Chandran he really does dial up on the sun flares and halos behind the hero.

We get it, guys! Watching this on amazon prime increased the heat on our already oven like laptop

BAN4

-400: Movie does not know what to do with heroine that it sends her to her hometown (I mean DEI!!), so going add more pix just for sakes

#BringBackVasumathi

BAN5

-52.33: All songs whenever, wherever

+127.9: Hero falls in love with one specific location for fighting scene that he requests all the goons to assemble there. Not seen anything like this!

-127.9: Movie builds up too many things but doesn’t really have the time, but then that’s why hero got second chance to become CM right?

Oh it is almost 2019 already. Intent matters, bro.

<All numbers are incidental and irrelevant, except the data provided by our data analytics team based out of Pune>

Yours sincerely

Team FRS

Subam

Vanakkam