Tag: Ajith

Parking Lot Notes: Nerkonda Paarvai

It is difficult for me to see Nerkonda Paarvai without making comparisons to Pink, at the same time it is also difficult for me to accept that an EDM festival in such a large scale would be held near Mamallapuram.

Yes, that is how H Vinoth’s Nerkonda Paarvai begins. 

If this had been an FRS we would have cut points for disbelief, but this is no FRS. 

Even with some years behind since its release Pink had something going for me, its absolute lack of heroism itself was heroic, the smooth transitions between the scenes which were not wanting to create dramatic tensions when they did not exist. 

When Amitabh Bachchan stands up to say “No” there is but a ticking clock (presumably of the court) which keeps him company, there is no other score. 

Just a lawyer delivering the closing arguments of his case. 

There has been many a column dedicated to how bold it is for a hero like Ajith Kumar to take up such a subject.But many columns need to be written on how the film making differs and the additions that Vinoth has added only hamper the classic and on point film making of Pink. Hopefully this is a start. 

Nerkonda Paarvai is in all ways an inferior remake of Pink. Let’s start with the characterisation. 

Deepak Sehgal is a disturbed ageing lawyer, his illness is mentioned but not explained, we know it is an impediment when he mixes up words when fighting for the girls. These impediments make the fight difficult, they add one more layer when the wronged girls go against the powerful boys. 

In the Tamil remake, the worst I had feared had happened; Bharath Subramaniam has a mental condition- bi polar, stress and anger issues etc but this is hardly an obstacle, in fact this mental condition gives Ajith a superpower to bash goons- again typical nondescript goons. There is no obstacle, in fact here they fear the hero. 

I loved Viswasam, I almost felt it was a clever Tamil reworking of Logan- Ajith even sports the same tired look of Hugh Jackman (this for another blog post). In Nerkonda Paarvai, his association with super heroes continue and Bharath Subramanium is nothing but a Bruce Banner/Hulk as realized by Ajith. 

Nothing wrong with that, except that this characterisation is in the wrong movie. 

I am not sure if the Pink remake needed a heroic backstory for its hero, but it surely did not require the utterly unconvincing Vidya Balan flashback. Oh and a loud Yuvan background score. 

And of the other actors only Rangaraj Pandey seems to be having fun, playing a version of himself- one of the most confident debuts in recent times. 

At the Laureate we do not celebrate movies just because of the themes that they take up- but hey many liked this film- why such negative notes? 

Maybe it is me, I should have given more time between viewing these films. 

In that case I would have forgotten about how beautifully absent of background music Pink was.

I would have forgotten the biting sarcasm that Sehgal brought about in his ‘guide to the modern Indian woman’.

I would have forgotten that Amitabh was just a player ( an able one at that) in the movie which was more focussed on the girls. 

I would have forgotten all about how the original treats people as people and not playing them as heroes and villains, the remake does this constantly by close-ups and ominous music. 

Maybe it is not them, it is me. 

FRS: Vivegam

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So we all know what an FRS is right? right?

-100: To us, we haven’t changed this boring intro, even with 14 writers on our payroll the fact that we can’t write a decent opening, shows the levels at which incompetence has seeped into the Laureate.<SHAME>

+5: Movie has no narration, a virtue especially when the last film we saw was Taramani.

-5: Whenever minor character says that they have x levels of security means mega security failure will happen within x minutes (Mega Security Mazhuppal Rule)

+30: Two eastern European uncles have been cast in such a way that just by looking at them you will know that they are villains, one has cigar also

-51.25: When confronted by assassin, victims will state their name, age occupation, designation and aadhar number(liberals no need to provide) so as to make life easier for the assassin.

Assassin is of course our AK

+21: hero’s name is AK!! hero’s character name is also AK!! how cool is that, i mean how inventive #AK25.

+101: How the movies have changed, like actors used to ‘play’ characters like villain, spy, doctor, minister etc; but in Vivegam it is what critics will call ‘turning-genre-by-the-head’

Wait buddies, we will explain.

Like Vivegam is not a story about a spy, it is about Ajith Kumar (AK) if he had chosen to become a spy instead of an actor. Yes that is the story.
+34: Writer-Director has embarked on toughest task of making every dialogue that AK speaks as punch dialogue.

Even when AK asks for sugar it is so menacing that you will not let children go near AK. More about children later
-54: Story? LOL what story?

-129.07: Messaging: Like this is not a movie this is AK’s personal videos to his fans,

+21: Serbians are not going to like this film

+50: AK’s super power is that no bullet will hit him unless he wills it himself, much like Mahabharatam Bheeshmar.

+112.33: When facing an entire army, always look at the camera and speak with optimism in tamil, this itself will confuse them. (AK’s escapism rule)

-34.5: As expected, dutiful AK will have cute family life

-11: GVM school of non-ordinary heroine naming, here it is Yazhnini, and of course she is a carnatic music teacher in inteeerior Serbia.

Hi to Cleveland Thyagaraj+ Death Metal Thangaraj

Oh wait, they also run cute tamil organic food restaurant which is popular among the locals. <Yeppa Dei Nativity>

-379: However cute, children must not be allowed in cooking area, safety reasons.

-150: Cute children

-29: As usual, hero looking at heroine playing with rain drops scene, hence love shot

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Pokkiri Pongal and all ok, have you seen Serbian Pongal? #Internaaational

+17: Yazhini is so the dutiful wife that even Valluvar’s Vasuki will have to take morning tuition from her.

-600: AK-Yaazhini level ideal couple pressures will seep into real life for couples after seeing the film.

Not ruling out divorce based on this pressure.

-89.12: Anti-Terror Squad head-office looks like one IT company with reception and all, I think they might have pre-sales division also, if free please put out JD at naukri boys!

+109: As expected head of Anti-Terror Squad is played by one person who will believe whatever people will say

+45: Hobbies: apart from being a top class spy, killer, assassin, strategist, husband, organic food chain owner AK is also a New York Times best-selling author

-300: War as photo-op: no seriously if you are army uncle in Serbia you will have lot of time to stand on tanks, do circumambulation to fighter jet, go to picnic, take and remove sun-glasses.

Yes, in slow motion.

-6.7K: Everyone talks about AK, every single character will talk about AK in the film, AK also talks about AK.

+23: Director believes hackers can do anything in life. ANYTHING

-56: If you are low ranking/new recruit in the espionage business you will be treated as a comedy piece (Arumaiprakagasam)

+902: Main Job of main villain is not to break the world into pieces but to praise AK, second job of main villain is to take over the world.

+15: Dei, in this movie everything is one hologram, even things you can do in simple PPT these villains will show in hologram.

Yeppa sci-tech-death

+15: Level of data analytics is MAX. eg: villain will shout: find the total number of running trains in Serbia, in that how many people are watching hot star in that how many people are eating lays chips type questions and his data team will give the answer within seconds.

Add to this, you will see 456 types of tracking and hacking #scitechdeath

We asked our data analytics team in Pune a simple question, how many people visit our blog nu. Still these fellows are giving reports.

 

-433: For our data analytics team

AK does data analytics in his mind only, so he does not need team.

+9: Phoenix paravai!

-213: Mind numbing mind games AK and villain will play for three hours, at this point we shouted “VARENNNN MAAAA!” into our phones and recorded the same for future use

Also all fights become tiring because anyhow you know that AK is phoenix paravai and nothing will happen to him.

-0.98: Analysts are telling that running time of the movie increased…..because….of….the….way…..AK…………spoke………………the……….dialogues……..given to…….him…..

-75: Spy uncles think that shutting down satellites is like switching off fan while leaving classroom

+101: Carnatic-mixed-martial arts based climax fight. One of its kind in Indian cinema.

AK’s T shirt rule: quality of t shirt will deteriorate towards the end of the movie so that it can be torn to reveal torso

Yes they have promised sequel and all.

Till then….

NEVER.EVER.GIVE.UP.

 

Subham/Ungal Naam

The FRS Team

Vanakkam

 

 

What’s Music Doc? Mazhai Vara Pogudhe

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No one really shoots songs like Gautham Menon, even folks who don’t like his films will like to sit through the songs, which is the opposite of what they would do for other directors.

In 2015’s Yennai Arindhaal (If you know me), Ajith Kumar plays Satyadev, an honest cop, honest to a fault in fact; explaining this song would need a little bit of context setting because the song itself is placed somewhere midway.

So yes, Satya had just driven out a gangster ‘Golden’ Raj from his house after literally stripping him, yes the price that one has to pay for offering bribes to DCP Satya, this honesty is also emphasized by means of harsh dialogue. Also worth mentioning is that Satya lives alone, naturally a dry life.

Happy and honest but dry.

The song is not a meet-her-the-first-time kindoff song, in fact Hemanika (Trisha) and Satya have met before in not so normal circumstances and a magistrate court is not even a romantic place, but this is where Satya realizes that he actually likes her. So stiff DCP goes and watches mock dance drama and all.

Even if you are Thala, you will find difficulty in getting a girl’ s number and even the usually honest DCP has to resort to other ‘tactics’ to proceed in this matter.

This is where the song starts.

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I really liked it when text in the form of SMS was used to move the narrative in Sherlock, here GVM employs the same technique, it might not add to the character as it does in Sherlock, but surely expresses the uneasy waiting moments that the hero goes through, in fact with every successive text message our hero softens.

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And then it rains.

Dry life and all that washed away. Hence Mazhai Vara Pogudhey.

GVM cuts back and forth between Satya punching goons and Hemanika correcting ‘mudras’ of her disciples, this is not just some love song in Swiss magic backgrounds, this a love song of two professionals going on about their work.

Both hand-to-hand combats, but of a different kind.

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Also notice that the song is used as a catalyst to push time, so it does not seem severely out of place when Satya proposes to her, this is a recurrent GVM theme; single mother who speaks in monosyllable, confident hero who plans far ahead; but look at at the way how it all comes together at the end of the song. Conveys so much five minutes of a song that even after an hour of talkies some directors fail to get.

Satya reaches Hemanika’s house, gives her flowers and there is a hand holding, he is firm/confident but she is unsure, concerned for her daughter perhaps or too shy admit, I dunno it could be anything.

However moments later in the song (almost an evening has passed in their life), there is another hand holding, but this time Hemanika is relaxed, they are alone.

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This tricky relationship is so well carved out in the song, in fact superior to the scene when they actually discuss it out in the open.

This song is story telling.

 

I am not saying this is a perfect song, in fact the Satya and Hemanika walking through malls and Satyam cinemas montage does become repetitive(wink and you will miss a VV reference), but GVM understands songs and where they are placed and their outcome, this one in particular I feel. How much of Hemanika we connect to (which is important for the rest of the film) solely lies in the success of Mazhai vara Pogudhey.

Through her, we see him (yes that is a GVM-ish line, but i’ll risk it) . Superb design.

Songs(in films) are not for relief as some directors would like to say, songs are not even embellishments or travel opportunities to far flung nations, they are very much part of the narrative, when used wisely they could become the director’s greatest ally.

Yes it is a great song to hear, one of my favorite Karthik solos, Harris as usual delivers and one can listen to this number day and night, but taking it with the context of two people coming together within the movie and how it denotes things to come, it is bloody brilliant!

And they say there is no use for song in films.

 

<What’s music doc? is an occasional short column to be put together on the influence of film music or the inability to explain the influence of film music or some such thing>