Categories
Books fiction

WHERE HAVE ALL THE DETECTIVES GONE?

INVOCATION

If I do not write this now, then someone will write it in the future and they will write it badly

PART ONE

The sun appeared untiring, relentless and omnipresent, the topic of discussion for today and every day and days to come. The heat dried up everything making the men and women forget the feeling of wetness. As lips dried and tongues could no longer help, the people turned to the minds of the poets, but alas; they could find no help there too. The word bank of the poets were empty, their brains too had become dry like cloth sold for cleaning computer screens, their imagination centred on the looming presence of Surya, the sun god.

An enterprising and unimaginative writer had just brought out a series called The Battle against the Sun. Since it was predictable, the comic made a modest profit and found some ardent collectors too.

One of them was Kuresan, he was currently trying to get any word on the monsoon; in his hands were the last two copies of ‘The battle against the Sun”. The penultimate issue was called the Final Recruitment: Battle Cry. These very words were written in ghostly yellow lettering making the reader wonder if ever a war against the sun could be won in reality.

As Kuresan passed a high window, little did he know that final touches on a novel called “Come December, my love, my rain” was being made, the novel would be quite useful in plot development in the future, but we leave it right now.

“Hail Kuresa!” called out one college student from a corner shop where a bunch of them had remained to waste away the remainder of their wasted lives, usually Kuresa used to take offense to these trouble mongers, but being senior to them gave him the look of maturity, if not maturity itself. He passed on without smile or frown.

The corner shop did not have any corners, as in, it was curved and its name by now you would have guessed would have come from the fact that it was in the corner and was run by an non local-ite, apart from stacking locally sourced high on oil highway snacks, the corner shop also sold ‘asli-tea’.

The corner shop also had a thick ledger which was neatly divided into two “College Guys Accounts” and “Jobseekers Accounts”, needless to say and still we would like to say that your name will ultimately gravitate from College Guy Account to Jobseekers Account section without much trouble (unless of your own academic doing or should we say undoing).

Kuresan used to have a Jobseekers Account with dues running up to the higher hundreds, but he then realised that no one will be giving him a job and he will have to make one for himself.

“Novelist” he came and said to owner.

The owner in spite of being a small time trader was also a learned man and he realised that as a novelist Kuresan would never be able to settle his dues in the coming hundred years or so. So he decided to be pragmatic and forced Kuresan to close his account.

This might partly be the reason as to why Kuresan did not stop at the corner shop.

No one can really say what the true reason is, but we cannot rule out some possibilities as well.

As Kuresan reached the Kanchipuram Gazette office, the three storeyed building built in 1832 by Sir Roland Dash, no one knew what the last name of Sir Roland was, but the reason for this however was singular. The commemorative plaque detailing the name and effort of the builders had been chipped exactly at the point where Sir Roland’s family name was etched in stone. This reason for this chipping activity is unknown, mostly miscreants with difficult ideologies.

Since the time of the British the building was called Sir Roland Dash buildings as they knew there had to be a surname and substituted it with Dash. Over the years it was called the Dash and with the help of the tongue of local rickshaw pullers, it is now called just Das.

Uninformed and lazy historians attribute the building to a Bengali steel magnate Das who had interests in Kanchipuram and had since built these office buildings, nothing could be further from the truth. One such historian turned diarist turned newspaper editor sat at the other side of the shining long Burma teak table and he was the guy Kuresan was going to meet.

Like all 52 year olds, A.A.V.Alagesan was irritated and had problems at home, and like every other man holding prominent office; reflected his problems at the workplace. This did not go too well with the workplace as people feared to talk to their employer and innovative ideas, well remained as ideas.

Kuresan, unlike most others you will meet in this story was brave; it is also quite possible that he does not know this. He walked in with an air of privilege and belonging, smiling to all those who passed him, nobody however returned the greeting.

That might be because Kuresan’s uncle was A.A.V.Alagesan and the rightful heir to the constantly reducing in subscription but still functioning local newspaper with a global outlook “the Kanchipuram Gazette”

Before Kuresan drops and breaks his dark rimmed brown tinted Wayfarer modelled imitation power glass later in the story, we need to tell you that he does in fact wear glasses.

Kuresan adjusted the above mentioned glasses and focussed on his uncle whose face was extra worried today, but the magnitude of the worry could be guessed, he looked  like a sparrow that had forgotten to apply anti-ageing cream, to be specific his uncle looked like an out of work Tamil movie villain who had now outgrown heroine father roles.

While looking at all this, Kuresan also looked at a slender figure standing at one dark corner of the ‘three out of four” corner well lit room.

“Ah! Kuresan, it is I who sent for you” said the editor in his dying voice; it was not as if his voice had been that of an army commander or that his voice had given him considerable leverage over other contemporary editors, his voice was always in this near death tone which made people assume that his voice could have been forceful in the past. Nothing could be more wrong.

“We received a letter this morning….and the contents of which are quite, I should use the word shocking!” A.A.V continued, the very mention of the word shocking got Kuresan interested; he had already come to the edge of the seat.

“Seems like a threatening note it could well turn out to be a prank”

“Something like Jack the ripper!” exclaimed Kuresan and giving out reference points to the reader, so that a mental picture could be formed.

“No no, not in this town…here you read it aloud” A.A.V said as he pushed the piece of paper towards Kuresan, and so it began.

Long have I waited,

Not for work

But for a worthy adversary

In the coming weeks, my hidden acts

Will come to light, while I am in darkness

Where are you, O detectives?”

–         Someone You Need to Find

 

“This doesn’t look so threatening does it?” asked Kuresan, “it’s just a prank, no need to publish this uncle”

“But what if it really is a threat and these hidden acts could be horrible, truly horrible things that we wish would never happen to any man or woman on earth?” This was the voice of the slender figure which had come out and could be seen by all.

“Ah, Kuresa, I forgot to introduce you; this is our new head of the local crime branch Ms. Jayanthi Jayapal IPS, we thought she might want to have a look as well.

As they shook hands, the ever ticking mind of Kuresan realised “But surely you are not THAT Jayanthi Jayapal who wrote ‘Locked Out in Lakshadweep’?”

“Yes, but that was a long time ago, I am a crime novelist turned police detective” she said as she blushed.

Needless to say Kuresa couldn’t control his excitement, he went on to add how the novel had become something of a cult collector’s item in crime fiction and how it could be compared to all the classics of the genre.

“Thanks…but editor sir, you haven’t introduced this gentleman” Officer Jayanthi pointed out.

“This is my nephew…” A.A.V began but couldn’t complete

“I am C.F.Kuresan, detective turned novelist, at your service”

Only A.A.V and Kuresan in the room knew that Kuresan was neither a detective turned novelist and nor was his initials C.F.

A.A.V just sighed and called out for tea.

As they waited for tea, Kuresan made a mental note of two things,

“Unlike most crime novelists turned police officers Jayanthi was actually pretty”

Secondly, “I now have a case, finally”

 

END OF PART ONE.

 

 

 

 

 

Categories
cinema cinema:tamil

KOCHADAIIYAN: A DOLL’S GROUSE

<The world’s first photorealistic review>

 

Amitabh Bachchan: When the history of Indian Cinema is written, it will be before Kochadaiiyan and after Kochadaiiyan.

Us: hehe.

This review is not to hurt the sentiments of countless movie goers, this review is written by countable movie goers with hurt sentiments.

Dedicated to the living memory of Nagesh who was not offered any role for his immeasurable talents went to waste when he was alive, the decision to animate him has further pained those who still look upon him fondly. Also it was not funny.

We are also dedicating this review to technology. We liked to dedicate this review to animation, photo realism etc, since the makers have stated that the audience have no knowledge of such, we will stick to dedicating this review to technology, which doesn’t make sense.

To the future type dedication.

We would also like to dedicate this review to… oh never mind.

Where do we begin? Should we being at the beginning of it all? The purpose of such a film?

We only offer you one directive, people who have seen the film/ going to see the film and are hoping to like it and are getting the feeling that they are encouraging something new, please do read the words which are in the slightly bigger font-italics (as this paragraph).

So that’s all we are asking.

Should animation standards be the only object of discussion?

No

Definitely no, but if it is not good then we must be bold enough to say that is not enough, although we have faced with opinions that with the available budget only so much is possible. Hmm but then by giving they themselves are making it easy for us fault finders.

If you are so keen, then you should watch only Hollywood films!

That works for us, with our limited knowledge of animated films and such, we have liked what we have seen on screen, we did not require extensive “how we shot the shizz reels” to relate to the characters and involve ourselves in the story.

We had problems with the animation because it was more of a disabler, the thought that these are not the things we should be watching kept our minds blocked the whole time and we couldn’t really care for the film or its story (if any, as applicable)

On the contrary, we have seen a lot of movies, look we love to watch movies, we would like to see what goes on screen than on what goes behind it, so technically if u ignore what we said above and we go with an “OPEN MIND” (which again is quite impossible, because we are humans, we have feelings, expectations etc, not cardboard based…never mind)

Where were we?

Ah yes open mind, even with an open mind there must be something in the story that should make us happy, no fireworks in that department too, usual stuff.

Good man has great dad (both warriors), good man and great dad makes the king jealous. Then what follows etc.

Now wait, this makes the king the villain. Yes but never really does anything bad for his country, just wants to expand his boundaries, just like..hmm..any other king. All kings want to expand territories except of course ASOKA, oh wait he fought wars too—- yes, to expand his territories.

Ok we forgive all this and accept the kings as villains, because they are rich, ambitious and jealous of their generals, because somebody has to be a villain so that the hero can say something nice right, some good sayings, some everyday couplets etc etc.

Are these things anything new? Well that is subjective and we are not going into that, just that we will imply that they were quite dull is what we felt.

Oops, you don’t imply like that! Be more subtle.

Subtle like Rana? Who clearly says to us the whole plot in a line and expect us to watch a film in which we know what is going to happen so well that even the twists don’t matter? Never mind.

Arrogant fools! If you keep comparing films like this then no one will have the guts to make anything different, no new technology will come into Tamil.

In the first year of movie review school (yes there is one) we were thought of only one thing, that only the movie matters, only! This is what they teach in review school.

So you can even add on and say that most of the people here might not be exposed to the levels of animation from outside and they might really find the move enthralling.

That maybe true, but then again you are underestimating your audience and feeding them stuff thinking they will not know of any higher thing and also asking them morally to support something just for the effort.

But! That’s a bloody lot of effort!! Do you guys have any idea how much time and money have been spent on this film!!

Of course we applaud the effort and all that, no we don’t exactly know how many hours and how much was spent on this film and we don’t think that should be a big factor in liking or not liking a movie.

You have no idea what type of films are made here, just watching some Hollywood films without understanding and saying something in dassu-bussu English, you don’t even need to see our films again, we are quite happy of this film and we will make this a very big hit and from next year on every third movie will be an animation movie.

Cool, we are happy to be wrong, we know we are wrong most of the time.

We also agree on the fact that we don’t understand the Hollywood films we see entirely, but we like them.

We like Tamil films too, we watch them a lot, more than the dassu bussu films, we like to watch Tamil films more than most, we only wish there better movies made and only wish the right films get the attention of the audience.

If they don’t, it is not our failure, because…well never mind.

We have also seen quite a few Tamil movies with the same theme, MGR’s Aayirathil Oruvan which was recently released and thanks to some forces is still running in theatres had a similar plot of a hero put in a rough situation because he has to defend his men for whom he is responsible, the recent Tenali Raman too had a similar revenge theme.

As it is quite common knowledge that the avenging theme is nothing new…the beauty lies in the execution.

For example in Aboorva Sagodarargal (1989), the motive for the protagonist is very early established (revenge again), but still it keeps us hooked as to how things proceed.

Never mind.

You are only nit-picking, the film is total entertainment for full families, all shows housefull, sure hundred days, full mass dialogues, amazing songs and pictures! You have no right to even review films, let alone talk about them, you are undermining the choice of crores of people with your bird brain perspectives.

Nit-picking is often under-rated, it shows that how keenly we have seen the film, how involved we were in the film.

As we have said, in not so many words, we found the film dull and hence we were not really looking hard to find fault barring few glaring points.

So in this case we weren’t nit-picking but just stating the overall disconnect that we felt, some of you might have felt otherwise, which is understandable, considering this is a Rajini film after all.

Nit-picking would mean to state things like why were the cave dwellers in the opening song were predominantly dark skinned? Is the director implying that cave dwellers are dark skinned? Hmm

Or how did Deepika Padukone know the exact steps as the white peacock? Did they go to the same dance class?

This only nit-picking.

Shut up, out thalaivar is mass and we dont need your opinions, you are like sand which he steps on.

Oh yes finally to the performances. Rajini is everything, as if you didn’t know that.

All characters are replaceable, mostly inconsequential, actors like Shobana are hardly given lines to speak. So pretty much this film should work for people who were expecting the such.

Also we think in some film you keep the sand thalaivar steps, on your forehead.

We pretty much know that our opinions don’t matter and it is quite known that nobody really reads our blog, our meetings by self, have existential crisis.

That is only answered by our love for movies which trumps all agendas, we don’t take claim of high ground and state that we will tell you what a good movie is, we are just telling you how we could not really feel or connect with this film.

Amidst all the noise, I don’t think our feeble whisper will make a difference, but then again we write so as to make a whisper.

We really wish this film would a window to better things, if the claimed things do happen then the names you are calling us right now will turn out to be true then.

We also realise that movies are purely subjective and their criticism have no meaning beyond a point when the audience is able to make a personal connect to the film.

Just that this film did not have it.

All the best, and to the future.

<Tell us what you thought about this film and our review, you can also tell us how many packets of milk did you all buy for the celebrations right below in the comments.>

 

 

 

 

 

 

 

Categories
cinema cinema:tamil

CK AND MM AT THE MOVIES: YAAMIRUKKA BAYAME

                WE ARE ALL JUST PRISONERS HERE, OF OUR OWN DEVICE
                             CK AND MM AT THE MOVIES
                         YAAMIRUKKA BAYAME
 
Yaamirukka Bayame
Moderate Manohar was unusually late to the theatres, he had by now guessed that good old Caustic would have taken his seat and would be getting impatient, not because he longed company to see a film but because he knew he would have to narrate to Manohar what was lost in the minutes.
Wiping dripping sweat and cursing the Automan who asked for 20 rupees more than the meter rate, Manohar ran to the ticket counter with his mobile phone cradled in his hands.
“C3” said the gruff voice from behind the counter.
Not minding the unusually dark atmosphere, Manohar continued on his run, stamping on feet of family men, women and children to finally take the seat.
“Sorry Im late, what did I miss?” asked Manohar with some trepidation.
No reply.
Manohar by now had realised that Caustic was fuming and he wouldn’t speak to him till the movie ends, he tried to look at his colleague’s face, but in the darkness he couldn’t get a reaction. Manohar had no other choice but to watch the film as it is.
As the movie progressed however Manohar had forgot all this and was starting to enjoy the movie for what it was, laughing mostly, and his anxiety over missing the first few scenes had vanished.
 He had begun to realize that this was one of the funniest films he had seen this year.
The film ended.
As the lights came on, he decided to confront Caustic Kumar with the issue, he knew he had been late, but being ignored for the entire length of the movie was not something he would like to experience again.
“Now see here, CK…” Moderate began, only there wasn’t anyone in the next seat, the plush pushback leather was empty. There was no way for CK to have got up and left, he would have surely passed Mod.
Shocked and unable to react Mod sat still in the same chair thinking until he heard a call out.
“Hey Mod! Mod!”
It was Caustic Kumar of course, the most cheerful avatar of him waving from the front. Mod by now had been thinking if the Lowly Laureate had sacked him being a gutless git. Shit, they had hired him in the first place because he was one.
The world around him spun. Up and Down. Up and Down.
“I thought you wouldn’t come” said CK as he made his way through the empty seats, “I thought I could change the column to Caustic Kumar Proudly Presents…”
“Stop it! Why did u act so differently during the movie, you refused to acknowledge my existence just because I was late” this was Mod.
“What! You didn’t even turn up I watched the movie alone, there was nobody I knew in G4”
“C4, not G4! See Caustic, you have sat in the wrong place”
“It is clearly G4, and we need to stop this bickering now Mod, we have a review to write remember?” CK said holding out a ticket stub.
Silence followed as MM calmed down and started to think on the movie.
MM: I think it is great! Not because it is an under-seen genre in Tamil, but this horror comedy really works!
CK: Hmmm…but hold your horses Mod, it is good. Not as great as you make it out to be, the first few minutes were close to terrible, I don’t know it doesn’t even prepare us for what comes next. I was sitting there thinking this is one of ‘those’ movies again.
MM: I missed the first few minutes, seems I haven’t missed much
CK: Yes, but nicely tied to the ending as well, what is interesting for me is the blending of the genres and both horror and comedy work big time in Yaam Irukka Bayame. And this guy Karunakaran…
MM: super straight face, I’m wishing he would do more. There is also some good slapstick, which hardly works in other films, guess there is some magic to it when done correctly
CK: And the running gags…
They pause and discuss Vaaya Vaaya for a moment and in unison they said.
CK and MM: Nobody would be able to look into a mirror normally ever again; this film actually is worth a watch for these elements alone and for the laughs.
MM: aren’t you going to say anything about Oviya?
CK: What about her?
MM: Never mind, so overall we basically agree on most things that is a good thing.
CK: Positive.
MM: Let me check with the counter guy on the C4-G4 issue.
Mod walks out into the darkness of the night and is surprised to see that there isn’t any ticket counter at all.
CK: What counter guy? There was no counter, just someone who checked the mobile phones for tickets.
MM: What theatre is this anyway?
CK: I dunno, some theatre. See, don’t be flustered and tell yourself it’s only a movie!
They both walk out in search of a meter abiding auto, while lightning strikes in the background and dark clouds start to group as though it is some congregation.
 
                                                   THE END
 
 
 
 
 
Categories
cinema cinema:tamil

NEE ENGE EN ANBE : REWORKING NOT WORKING

And we are back with our tired and tested, yet faulty review for another film. If you have been unaware of what FRS is, kindly refer our introduction to FRS here.

Umm..

Nee Enge En Anbe

+1: For a bad remake, Nee Enge En Anbe (NEEA or Neeya?!) begins quite well.

-35: Bad idea results in bad remake, extra points for thinking of remaking a good film and failing quite badly on all fronts, why do you have to remake a good film unless you aren’t adding anything  substantial to it, also Kahaani is quite a pop film, won few awards too right?

-12: Location, location,location- in the original Kahaani, Kolkata provided the perfect setting and its character was central to the story, here Hyderabad however the maker has tried to justify, seems a force fit.

-4: Nayanthara’s eye lashes, no seriously if this movie was 3D they would poke your eyes, so visibly long, but why?

-5: Crying Nayanthara

-5: More crying Nayanthara

-5: Still more crying Nayanthara, for a thriller this is one of the weepiest, frustrating because we apparently don’t know what she is crying about. They should have called it Cries and Whispers instead, also fits.

-19.5: Whole movie seems so un-stimulating and there is no interest for u to suffer with it, you might argue that since Kahaani has been watched by us, this is not a valid reason. But we are not listing valid reasons here.

-8: Enough with the imagery guys!! We get it that the movie is about an avenging angel, while Kahaani was subtle and nice about the durga pooja and Vidya Bagchi’s story, here every alternate scene is Nayanthara praying to the goddess wide-eyed and vengeful, leaving little to surprise.

We’re stopping not because we couldn’t find more points, in fact there were many like insufficient character growth and the overreaching of the script to complicate itself, but it is just that we are tired.

We also liked the original a lot and even after multiple viewings it still retains some magic, this might have influenced our negative viewing of Shekhar Kammula’s new film. It is quite understandable that a person who hasn’t seen the Sujoy Ghosh film might enjoy it, but we would like to bet against it.

All numbers are arbitrary and instantaneous.

 

 

Categories
Books cinema cinema: hindi

WALLS PEOPLE BUILD

Image

Even in the most formulaic of products cinema can surprise you to lengths that you could have ever imagined.

2 states is no new story, two people from diverse background fall in love and naturally their parents oppose, how the couple convince their parents form the rest of the tale. Yes, how many times have we seen this story? Yet 2 states gets most things right where others slip.

This writer walked in expecting a clash of cultures, a comedy of manners and other such gags, but that was not the case to be. Usually not one to expect authentic portrayal of south Indians in Hindi films, there was really anything for me to complain about.

Most of the films in the same fashion, in fact even with the same story reduce characters to prickly caricatures, taking ample advantage of existing stereotypes, the troubled couple usually have to tread carefully amidst the culture bushes while not rustling them, but trying to win their approval as well.

It is not to say that 2 states does not take the help of the stereotypes, just that they are not gags, like first you think Mr. Swaminathan is the grumpy  simple south Indian dad, then we come to realize that he is not grumpy  because he is south Indian, but he is tired of doing others’ work, likewise  the “middle-class” minded fast talking groom’s mother also begins as a staple, not unlike many Bollywood Mas; but she too just wants some respect after being mistreated for most of her life. Her issue is really not having a ‘Madrasi’ daughter-in-law, but her fear of losing her son’s love and respect, something her husband could never provide. 2 states aptly bring out the motivations behind the stereotypes rather than just painting them in stock expected colors.

When characters are written with respect, it shows on screen! Even if respect did not allow much time for research, the previous clash of the culture films only seek to bring the differences to one common ground for the benefit of the lovers, so much so that we do not really care in the end if the protagonists get married or not.

In the end it is not the diversity of the cultures that is the hindrance; it is the minds of the people who preferred to be safely walled up in the name of society and culture.

Marriage is about individuals, not about culture. Yes it does involve culture, but it is not to be seen as a solid unmovable entity that shuts out people and selectively allows some in. Culture is a result of individuals, accumulated over the years to make things easier, if it makes life a chore; then a lot of rethinking needs to be done.

Well written characters are essayed by finest supporting actors (Ronit Roy, Amrita Singh and Revathy deserve more than special mentions), while the biggest hurrah must go to the likeable lead, Alia ‘light-in-her-eyes’ Bhatt and the surprisingly effectual Arjun Kapoor.

While the film does stop and get into the usual Bollywood song and dance occasionally, all that is forgiven. Also nobody gets married at the Shore Temple, it is a UNESCO world heritage site for God’s sake.

2 States is immensely pleasant even at its length, a film that rightly captures the scenario while not being either youth-rebellious or teacher-preacher in its handling of marriage, that is an achievement.

Yes it also ends well.

PS: Two paragraphs on how good this Alia Bhatt is, as Ananya Swaminathan was written, it was deleted keeping in mind that Arjun Kapoor(Krish Malhotra) too is amazing. Further problems were averted by using simpler adjectives in the piece.

PS 2: Remind yourself that this film is not an ad for YES Bank and Sunsilk, repeat this again please for your benefit.

PS 3: This writer did not read the Chetan Bhagat novel from which the film was adapted from and thus cannot speak about loyalty to text issues.

X Box: Kya Yaar, we also see Hindi films.