Green Lantern


Ok, now some amount of recollection was required as to what was the first scene from Green Lantern. It was an introduction to the cosmos according to the comics of course. First there are the guardians, typicial brain coming out of head aliens sitting on high, sorry very high seats with superman’s cape stitched to the bottom of the universe. The guardians are responsible for everything that happens in the universe except of course the guarding part which they silently gave it to the corps in green.

There are some idiosyncrasies that need to be addressed with respect to Super hero movies, like for example, how is it that English is spoken throughout the universe? Aliens portrayed in the film, highly evolved and cerebral all speak English just like the terrorists in a Vijaykanth film who are versed in Tamil.

Next to the abstract things, I have never understood the exact meaning of abstract maybe it is one of those words which people use now and again, like metaphysics and existential. One shall never know what these things mean, the comics are (ok not all, most) are based on the simple set piece of good vs evil.

In Martin Campbell’s Green Lantern, the good vs evil is morphed into not so better sounding ‘will vs fear’. The power of the Green Lantern corps are entirely based on the will of the universe, umm then if there is the will of the universe why do we need the guardians?

Anyway, Ryan Reynolds stars as Jet pilot Hal Jordan, like every other super hero he must overcome his past. I like that phrase ‘he must overcome his past’ that generally means the hero had seen his parents being shot, like Bruce Wayne. But then that is reason why he became a vigilante in the first place: to remove the scum from the streets of Gotham.

We cannot also elevate Green Lantern to a planet-hopping Batman, because he seems have this ambiguity thrust upon him. Everybody complains about Hal Jordan, but on what issues is something I have not been able to zero in on. His father’s death seems to have a permanent scar on his life, but it isn’t as driving as to him becoming a super hero all of a sudden.

Elsewhere, a fear gobbling monster called Parallax is threatening the end of the world. The ‘this is the end of the world’ situation seeds the heroism in our Hal Jordan who becomes part of the Green Lantern corps and how he tackles the situation forms the rest of the film. Yes, and before I forget, there this the irritatingly beautiful Blake Lively as aviation mogul in waiting Carol Ferris and predictably becomes the love interest. A sudden shimmer in a under drawn character, and the usual geeky computer expert cum confidant and the mad scientist also playing the second villain when bored.

Apart from what I thought was formulaic, there are certain moments which stand out. For example the sequence when Green Lantern first flies, that always seems to work. The moment where someone learns that he can fly, even though it is something that has been repeated it always seems to work for me when they come up saying ‘whoa, I can fly!!! Yeah!”  Also is the undercurrent of sarcastic wit coming from Ryan Reynolds.

I have not read the Green Lantern comics and my views are based on what I have seen in the film, maybe followers of the comic might appreciate the film better and help me understand it. When I walked out of the theatre I felt that the film itself had some problems on liking itself, everybody wants to like Hal Jordan but at the same time for some unknown reason everybody stays away. It is indeed tough to completely like something that has problems with itself, just like that friend in high school whose only weaponry were self pity and self pity alone, and yet you have no option but to sit next to him.

I am as undecided as the film itself.


Vinnai Thandi Varuvaya

I know it is quite late, quite can be substituted to mean more than a year and I have nothing but my stupidity to blame for it. After much arguments and an unusually tired day I watched Gautham Vasudev Menon’s Vinnai Thandi Varuvaya( will you cross the skies <for me>? shouldn’t there be a question mark somewhere)

I hit my head with my own hand after a few minutes into the film, It is not my opinions on Mr. Menon really matters nor does my inherent dislike to mountains of sweetness and sadness love stories, which I was expecting and as usual I was wrong.

Most of Menon’s films begins with a voice over by the protagonist, in VTV it is Karthik who while sitting almost tear eyed asks around why he chose Jessi of all the women in the world, a similar observation was made by Humphrey Bogart  in a much loved 1942 film but that concerned gin joints too but essentially the same thought. Emotions are universal, there is no logic involved. Logic came into the movies only as to propel stories into an ending, but VTV defies conventional storytelling.

I remember during one of the promotion interviews, the director himself humbled his film as ‘one line story’ and that talking about would only be a giveaway, but what does one expect in a love story?

Rephrasing the question what should one expect in a love story? Should it be an encyclopedic and complex plot winding and winding till there is a climactic moment at a mountain top or river bridge? Or should it have extremely loveable lovers and tinsel free love.

Ironically the part of the film is actually about Karthik getting a break in films and yet the content would put ‘realistic’ directors to shame, personally never having realized any romantic relationship  I felt if this what love is all about then I’m all game for it.

Never mind the age difference, never mind the opposite religions. These are just to bring about a storm between the leads just like the emigration papers in Casablanca, it could have been anything. The problem could have been about the naming of their dog to create a rift; the film would still have been great. Karthik and Jessi would have fallen in love even otherwise, it was written; not by the director but something a higher force which brings together and separates people at will. This is what a love story should be about, lovers and their love. Not their problems, everything else should be given minimum importance.

Never has music went so well with the visuals, it seems as though the camera composed the notes while filming the water, especially the hollowness of ‘Aaromale’ which also acts as the main leitmotif is simply amazing and the sudden burst of the Nadaswaram in ‘Anbil avan’ adds to the mystery that is music and the experiments of Rahman, in the same song Thamirai writes the most poignantly happy lines

‘Nee vanavil aaga,aval vanam ezhaaga,

andha vaanam veedaga maaradho  maaradho’

The above appears as the refrain in the song, pointing the few happy moments between the lovers and how ‘their’ world celebrates it, the simply genius poetry takes the film to (use the word again) poetic heights along with the sadness of the ending, the sadness which splatters on the screen, a display of Karthik’s loss. Indeed sadness is infectious than happiness, but this sorrow is not only mind narrowing but uplifting, uplifting that unseen air which seems to rise from the heart. If it is not uplifting, then is it love?

Vinnai Thandi Varuvaya is a film about love.


Hello world!

Welcome to After you read this, you should delete and write your own post, with a new title above. Or hit Add New on the left (of the admin dashboard) to start a fresh post.

Here are some suggestions for your first post.

  1. You can find new ideas for what to blog about by reading the Daily Post.
  2. Add PressThis to your browser. It creates a new blog post for you about any interesting  page you read on the web.
  3. Make some changes to this page, and then hit preview on the right. You can alway preview any post or edit you before you share it to the world.