That Tarantino taught himself movie making from behind the desk at a video store is the stuff of legend. In Chennai, it is not uncommon to have friends who due to compulsions of engaging with popular culture have a tee shirt which proudly says “ I never went to film school. I went to films” or some such Tarantino quote.
Tarantino is the real life story of the fringe becoming mainstream, the director who launched the career of numerous disciples, the director who within a short time had an ‘esque’ added to his name. The director who has his quotes on t shirts in Chennai.
It’s what he became.But let’s come back to the first fact, as a video store clerk- he saw every type of film. Often in the transference of his coolness, the reason for his coolness is omitted.He saw every type of film.
Has there been any Tarantino conversation without the generous movie name-dropping? To think of it, his tee shirt makes perfect sense, he really figured out how to make movies by just watching a ton of movies- a certified movie nut with unconditional love.
He just didn’t stream the AFI top 100 to become what he did become(relevant in our time of curated lists and general entitlement of everyone seeking the ‘best’).
Tarantino went to work, consuming films of all types and sizes, without any notion of preconceived taste.His passion extends beyond just viewing them but to track down and remember every filmmaker. The resultant is a wholly unique person with an extremely specific movie taste.
Specific to the extent of keeping a close watch on how he will be remembered (the 9th film by Quentin Tarantino is how Once Upon A Time…is marketed), his movies are combos- the ones on a food menu which arrive quick, valuable and consists of enticing items from different pages in the same menu. Each preceding film was a genre version of what Tarantino cooked up.
But Once Upon A Time is different…it is still a heady mix of genres, it still moves to an assorted pop soundtrack and radio commercials, it does have an obliqueness to violence but this is really Tarantino’s way of giving it back (love) to his industry.
Although at the same time it is not the “love letter” or the nostalgia driven look of Hollywood- it is authentic but not rose tinted. It is a film about time, a word that features in the title.
A passage of time, 1969 seems to be year of closure of many things Old Hollywood- the slowing of the studio system- the decline of a certain sort of heroism.
A man’s man would be ridiculed in our ‘woke’ times, but their careers seem to have ended a long time ago. I can never imagine an ‘environmentally’ aware hero like Leonardo taking up anything remotely similar to Bounty Law ( the TV series that Rick Dalton, his character plays in this movie).
Tarantino feels for Rick Dalton & his driver-companion Cliff Booth (Dalton himself is based on many leading TV men of the 50s and 60s who lost their way, without a break, mostly forgotten by history) but he is not tied down by the weight of historical accuracy. He wants them to get that one break, that one lucky break which could change a sagging career.
At the other end of the story is a young Sharon Tate, who at the time represented the Hollywood to come, young with life, till it was horrifically taken away from her. Tarantino cares for her too, doesn’t really care for history. One of the best moments come from Tate getting to watch her on screen in the ‘The Wrecking Crew’. A rather ‘asinine’ film, as Tarantino himself put it while guesting on a podcast. It isn’t regarded as a classic film but means so much to Sharon Tate, thus proving that any movie could make deep impact in a person’s life, irrespective of how it has been ‘regarded’ by society (especially critics).
The ending, which is sure to shock many, but unlike the catharsis of killing Hitler in Inglorious Basterds, this comes from a sweet place of good intentions and confidence. The way he juxtaposes fact and fiction in a way that only reminded me of Monty Python’s Life of Brian- a film that follows the parallel lives of the Christ and a commoner.
Clearly my favourite Tarantino and definitely the most re-watchable , a movie where I could endear myself to his brashness.
He knows his stuff, this is his subject, he seems to be having the most fun when without any care following his characters to see where they go-forgetting lines, feeding dogs, folding clothes, watching movies and generally raising hell in the Hollywood of 1969.
One reply on “Once Upon A Time In Hollywood (2019)”
[…] Nevertheless, Ford v Ferrari takes a close second place in my imaginary best films on friendship contest in 2019. That honor, as on date firmly rests with Once Upon A Time…In Hollywood. […]