cinema FRS

FRS: Chekka Chivantha Vaanam (CCV)

So you all know what an FRS is right? right?

Nevermind, we are quite excited when a Mani saar movie comes about anyway.

-101: Narration, even if it is through Vijay Sethupathi’s voice

-102: Narration accompanied by drone shots

-21: Gangster is the most powerful man in the city cliche. How do they arrive at these conclusions, is there a Forbes list for gangsters? 40 under 40 kind of based on killing etc?

Look we get it that most filmmakers from a generation are inspired by the Godfather, most of them hold it as the greatest piece of film ever made, but then it does not mean all movies about gangsterism should be taken seriously unless of course it is as arresting as the Godfather

+21: Gangster sings KV Mahadevan hits from 1961, because singing Ilayaraaja songs would now be considered cliche

+54: Effective foreshadowing is effective. The song Prakash Raj sings is from Thaai Sollai Thattadhe which is about a police officer trying to bring down a gang. Hey wait….good one Mani Saar.

-44: Director trademark of characters asking one word questions which is passed off as dialogue. Enga? Eppo? Yaaru types you know the drill So much so that the dialogue in the film is indistinguishable from the questions a five year old sitting next to you keeps asking.

-21: 66.67% of the dialogues are questions, 33.34% of the time they are left unanswered or followed by more questions. Since Mani Ratnam has already made Nayakan, he should aptly be called the Kelviyin Nayagane of the year. FRS team wants to institute this as form of an annual award. Data provided by our analytics team based out of Pune.

+17: Dubai Shieks will close all deals only on private yatches, also they have unbelievable level of patience.

<Interlude not sponsored by Harvard Business Insights>

Let’s analyse Thyagu’s business here, he takes money from Varadan-Senapathy his father to pay the Dubai Shieks but in exchange of what? How much could Senapathy afford to give his dubai son to get this business going. Seems pretty shady even for a shady business for like this, maybe the Shieks are patient because they are making a killing out of this deal.

</Interlude not sponsored by Harvard Business Insights>

-AAA: Even in the moment of almost calamity, even in a film directed by namma resident auteur Mani Ratnam; Simbu will get slow-mo opening sequence

-87: Serbian cops don’t know basic that you need to put a checkpost before a junction and not after; this simple mindedness of Serbian cops leads to Ethi (STR) being seeing as a master criminal. Serbia is not going to like this movie.

-61: Convenient STR’s Serbian girl friend is tamil speaking level convenient. Never mind…

+37: Gangster STR believes in not imposing his music choices on his girl friend, so both wear separate head phones. Feminist gangsters are the wonder of the 21st century.

-12: Movie does not realize the seriousness of situation and keeps the mood light even the issue here is about a set of brothers and their father being bombed to near death! (Insert the scream smiley here) Seems like the brothers don’t really care only.

-1: For whenever Varadan (Arvind Swamy trying to play Inba from Ayutha Ezuthu who was trying to play..oh never mind) says “Vidu, naa paathukaren” (means like I’ll take care). Says it two dozen times but things become worse after he says it.

+34: First they used K V Mahadevan’s songs in the movie, then they use MS Viswanathan’s character trait from Kathala Kathala. Thyagarajan’s (not Thyagu) dialogue is limited to 3 Muruga’s per minute

-12: Movie tries to build to tension around who would have tried to kill Senapathy but at this point of time we don’t really care and it seems like most of the cast don’t too.

-54: If you are female character in this movie, you either end up dead or in the lock-up or of course dropped from the screenplay at the most opportune moment.

+61: Aditi Rao Hyderabad (now in Telengana ) plays a very prosperous news journalist who has an affair with the main gangster by afternoon and reports his misdeeds objectively in the morning. Of course no one has any issue with that, at least some one is having fun in this movie.

+89: The women of Senapathy household seem to be ‘okay’ with everything, like extra marital affairs, gun running in Serbia, deal making in Dubai, drug peddling and all that. Which is kind of the underlying theme of the movie: shit happens and we are okay with it.

+142.8: Vijay Sethupathi seems to be doing his own thing and doesn’t really care what the brothers are up to, which is the best part of the film, he seems to show up with the same casual attitude that he puts on when he comes for a fully filmy interview with cinemapayyan.

+21: Varadan is an expert cook at his mistresses’ house but nothing is mentioned about how he is at his home, but he lets Chitra call him by his name; so feminism certified. Feminist gangsters are truly the wonder of 21st century.

-45: All songs whenever, wherever. Raghu aka ARR & co still doing the “let’s use the songs for BGM again” strategy. Hmm.

+101: Every time on the FRS we spend words and words on how goons are being ill treated by film makers. In this movie they actually get on-site opportunity and all, we just want to stand up and applaud. Thank you guys for taking note.

-20: Hero realizes that all of us (philosophically) are zero towards the end but doesn’t realize that gangsterisau is wrong and affects manly families badly. Maybe underlying theme is that people will be okay with gangsterism if there is enough feminism in the movie, maybe we are reading the movie wrong (mostly right option) and we will wait for the extended conversations with Mani Ratnam pdf to know what the movie is really about. Then we can always change our mind.

-25: Something something happens in the name of double cross- triple cross etc and person staying alive in the end of all this is the winner and of course let’s shoe horn the title Chekka Chivantha Vaanam into the works now. This also wins the Vaaranam Aayiram award for title explanation of the year.

PS: If you would like to see a better movie where men make reckless decisions and it is left to the women of the household to handle stuffs; check out this National Award film called Samsaram Adhu Minsaram. Just saying.

All numbers are incidental and arbitrary, except the facts provided by our data analytics team

If you like what you see then here is the FRS of Kaatru Veliyidai


Team FRS

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