(And also side characters)
Before getting down to praising Aandavan Kattalai, let me first get down on the system; innumerable films have taken on the system, whisking out heroes who break the system, become the system even; but rarely acknowledge it.
Even in Manikandan’s film, the cheekily named Gandhi wrestles with the system and with the truth much like his Gujarati-namesake. Like everyone else, he doesn’t want to be seen as the one who is not smart enough not to take a short cut.
This mindset has served us well right from our daily commute, right up to the get rich quick plans we invest in. Short cuts have been ingrained into our skulls as an Indianism, street smartness is something even companies look for in candidates.
It is time to drive away this smartness.
The Messengers (or who says these things in the movie)
Vijay Sethupathi, in his fifth appearance on screen this year! (Surely this must be a criteria for TIME person of the Year) plays the small town guy in the big city with absolute plainness, there isn’t any special characteristic, there is no extraordinary back story, Gandhi could be anyone, Gandhi could be me or even you, maybe that’s why. So this isn’t much of a performance but more of an appearance.
But this appearance serves him well especially in the comic portions of the film, but the problems in Aandavan Kattalai is unusual because you really don’t know who to follow on screen, obviously Vijay Sethupathi drives it forward; but the supporting characters are not so much a supporting but actually essential.
I am a supporting character sympathizer, as in if there is one movement I would like to be part of, it would be for the ethical treatment of “hero/heroine’s friend” in Tamil films. First there is Yogi babu as the not so constant companion, he is luckier than our hero, which almost never happens in films, he gets the best lines as well; then there is the Srilankan refugee in search of his family but has to play dumb, the friends at the theatre crew and the intrepid journalist who also happens to be the heroine.
But my favorite would be the senior and junior lawyers at the family court, a truly unusual comic relationship, at least something I haven’t seen in Tamil films; the closest I could pair them to: the similar comic duo from I heart Huckabees, totally brilliant, yet so fitting in the atmosphere.
Most of the characters seemed lived in, not just turning up for the shoot, but these aren’t serious roles which would require an entire long read on ‘method acting’, these are just everyday people in highly non everyday surroundings and that is how the humor is brought about. I could just go on about the other supporting actors as well, because this movie is a triumph in terms of casting, characters and dialogue.
A major win in a time, when giving a character a name and a job is seen as writing (something which is referenced in the movie)
Now to the message (Or what is being said)
A message movie is one troubling thing, not everyone will be empathetic enough for it to go all the way or sometimes the message itself might not be presented in a way to create impact, or hidden behind subtexts later to be brought forward by others. But there is something in every movie for everyone, it might not be the one that the director intended, but there is something; because that is why we watch a film.
Most of the times the message is lost in the telling. Here in Aandavan kattalai, the director puts first dart bulls-eye from slide one (This is a message movie #hehehe)
We (or you) can infer whatever you want, but this director is telling you not to take the short route, in fact there are no short routes, in fact (v2.0) the short route is the longer one and the one with thorns and no GPS.
No don’t take the short route.
Fill your own forms. Don’t break the line. Don’t ask your colleague if they know anyone anywhere. Don’t refer anyone from anywhere. Don’t break the process or try to bypass it. Just fill the form and wait.
Because the system might just be easier than the short cut.
Hey, I’m not saying this, the movie is.
Movie(s) of the year
Every movie blogger who thinks he/she is worth something will come up with a list of ‘movies of the year’, we are not exceptions; but we would like to do things differently.
Is Aandavan kattalai our movie of the year?
Our answer is “not quite Oru Naal Koothu” *
The movie begins with eighties style kaleidoscopic images, nice touch but I couldn’t see how they connect to the overall theme
*Pitting movie against movie is a very bad thing and I’m sure we will be punished for this.